10 Hidden Details In Disney Movies

Director Martin Scorsese wasn’t exactly subtle with the tension and terror of Cape Fear , the story of a convicted criminal who seeks revenge on the lawyer who put him there, terrorizing him and Steam Game Discount|Https://Gamedealhq.Com/ his family, particularly his teenage daughter. Beginning the movie with chilling music and a blood red close-up on the daughter’s eyes warns audiences that the story she’s about to recount is a violent and truly unsettling one, due in large part to Robert De Niro’s acclaimed performance as the film’s villain. The family survives in the end, with the lawyer successfully killing his former client - but the damage has been done. To remind viewers that Cape Fear is as much about the loss of innocence as it is about revenge or protecting your family, the film returns to the "spared" daughter, this time fading from innocent white to red – and keeping audiences from feeling too good about its happy end


George Lucas may have dreamed up one incredible space opera all by himself, but it was Ralph McQuarrie's concept paintings which made the director's vision a reality, and convinced Fox that it was worth investing in. McQuarrie's role wasn't lost on Lucas either: when it came time to film The Empire Strikes Back , he made sure to give the painter a cameo, strutting through Hoth's Echo Base - with his sketchpad in hand, obviou


James Cameron's 3D blockbuster smash may have taken audiences to an alien world, but it begins at home, in a futuristic Earth. Actually, Avatar begins in a dream sequence, with the movie’s hero Jake Sully explaining that his sleep has become filled with visions of flying ever since he was wounded in combat, opening his eyes every morning to find he's still confined to a wheelchair. His adventure on the planet Pandora piloting an artificially-grown human/Na-vi hybrid allows him to do more than fly, successfully defending the planet from his own side’s forces. The final shots of the movie mirror the beginning directly, showing Jake once again opening his eyes – this time, to a new body, a new people, and a new purpose. To take things further, the end credits are run over the exact same shots of flying as Jake's first dr


It may be unexpected, but apply the Bible to the story, and some answers are possible. The moon LV-223 is likely a reference to Leviticus 22:3, a warning from God that "…if any of your descendants is unclean, and yet comes near these sacred offerings…they shall perish before the Lord." To make the twist on Christianity even clearer, Scott had planned to explain that an Engineer sent to save mankind 2,000 years ago was crucified instead, but decided that was a little too on the n


"There's a directorial flourish and then there's self-parody — and Abrams promises he's easing up on his signature stylistic tic of shining lights directly into anamorphic lenses to create flares. He could explain it away in the Star Trek films ("the future is so bright!") but admits he has no excuse for Super 8. He recalled how one shot in Star Trek Into Darkness was so overrun by lens flare his wife shouted that she couldn't see Alice Eve. He made an effort to tone it down for The Force Awakens, and when he spotted his lighting crew bringing large spotlights onto the set he would joke "these aren't the flares you're looking f


Every fan of Quentin Tarantino knows that the director likes to connect his films into one universe , with characters living in the same world, or some films existing as movies for those characters to see in a theater. But what about a movie that reveals it's just a movie in its own story? That's what some fans claim about Jackie Brown . When a character walks out of a movie theater to the sound of its credits score, the music is what's expected of Tarantino. But viewers will eventually realize that it's the same music that plays over the movie's own end credits. A shared universe wasn't enough: the director had to hint that Jackie Brown was already playing in theaters while the cast was still living through


Every Firefly fan knows that Joss Whedon’s canceled TV show was given a second life, and a conclusion on the big screen. But when Serenity was greenlit by Universal, the crew realized that Fox, believing the property to be dead, had destroyed the sets – meaning they had to be rebuilt from scratch. The film’s budget had to cover the new ship, but Whedon made light of the situation, stencilling storage containers with the words "REUSABLE CONTAINER: DO NOT DESTROY" in large letters. Let’s hope they took the message to he


"Abrams is aware that "we got in trouble on the second Star Trek film with some of the fans," and admitted. "There were too many nods to The Wrath of Khan. I'll cop to that." (Full disclosure: I, the author, was the gentleman who led the now notorious fan panel at the 2013 Las Vegas convention in which we, the aggrieved dweebs of the Trekkie community, declared that Into Darkness was the worst Star Trek film of all time. Very sorry, J.J.) Whether a proposed third Trek film from the Bad Robot crew will serve as a corrective or not remains to be seen, but he acknowledges that the nerds were indeed hea